Confined to the basis of one main table with which to produce the artwork on, Pearman produced four printed glass panels of equal size, 1400 x 1100 mm, which were situated free-standing at equal distance apart.
The format allowed the viewer to look through all the four panels simultaneously, providing a dynamic piece of moving colour and form. The imagery was architecturally based and used a palette of transparent blocks of colour and detailed montage sections of urban photographic scenes.